Copy Famous Paintings – Friedensreich Hundertwasser

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What is it?

This painting is a cropped piece of a larger work, Man find in Zahala”, 1975 by Austrian artist Friedensreich Hundertwasser

How was this painting done?

Man find in Zahala” was done in watercolour with spiral motifs, primitive forms, spectral colors, and repetitive patterns. Throughout his career Hundertwasser used the six spectral colors almost exclusively.  In this picture the forms are abstracted, simplified and embellished with colour.

Hundertwasser believed painting to be a religious experience.  It was his intention to offer his viewers a glimpse of paradise.  This painting is highly decorative as was typical of the style in Austria at the time.  .

Hundertwasser liked to be viewed as a “magician of vegetation” and he is true to form in this painting.

Why should we care?

We have to admire Hundertwasser for his unusual ability to turn his skills to many diverse projects.  He was multi-talented.  Not content to merely paint and make prints, he was also an architect without credentials who wrote manifestos, designed posters and stamps, and travelled the globe bringing construction projects to realization and collecting awards. He was also an outspoken proponent of many environmental and anti-nuclear causes. Hundertwasser is best known for his vibrantly-colored, opulently-decorated paintings, graphic works and contribution to printmaking techniques.

Where can I see other paintings like it?

Hundertwasser’s early paintings were heavily influenced by the Vienna Secession tradition of Egon Schiele and Gustav Klimt. His works from 1949 through to 1953 also display close affinity with well-known paintings by Paul Klee. “Small Rhythmic Landscape”, 1920 by Paul Klee has the same dreamlike landscape theme with similar primitive forms and repetitive patterns to those seen in Hundertwasser’s paintings.

Hundertwasser was good friends with and influenced by Rene (Bro) Brault.  Similarities in their work can be seen in Paysage Vallonn”, (date not found).  Brault’s palette was totally different from Hundertwasser’s  yet their treatment of trees was almost identical.

Meditate, relax and enjoy

Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself. There can be no mistakes in making this painting.  Everything ends up as it should be.  Here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size (recycled is okay as below)
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark water soluble crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured water soluble crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is a big plus if the watercolour crayon mark bleeds into the painting
  • everything is easily painted over or blended in with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the colour you put down

The Drawing Process

Turn your photo upside down and draw the space around the drawing with the crayon first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy onto good quality paper, paint the picture and frame it.

 Hundertwasser’s style is displayed perfectly in this short video.

Original artwork by Christine Stoner ©
Interesting Instagram: christine_stoner21
Funky shop: christinestoner.bigcartel.com

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Copy Famous Paintings – Egon Schiele

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What is it?

Painting Ceramics“, 1918 by Austrian artist, Egon Schiele.

How was this painting done?

Schiele did this painting on paper with watercolours.  He used a black crayon to draw the outline of the objects.  This is a simple painting done in a loose and organic style.   Schiele restricted his colours and kept the painting uncluttered with a plain background which was typical of his style.  The result is an entirely pleasing composition of “less being more.”

Why Should We Care?

Schiele is a great example of an artist who followed his passion and was not molded by beliefs of what art should be as thought by others.

Schiele, Gustav Klimt and others chose to break away from the Academie of Fine Arts and the Kunstlerhaus  in 1897 and form the Vienna Secessionists.

This enabled Schiele the freedom to create  the raw, direct,  erotic and deeply psychological paintings he preferred. His striking sinuous lines, use of colour and method of leaving a drawing or painting unfinished had not been seen before.  We are therefore, the beneficiaries of Schiele’s rebelliousness.

Where can I find more paintings like it?

The patterning on the vases in Schiele’s “Ceramics”, although done much later, reflects the influence of Japanese art after the influx of Japanese goods and  prints flooded Europe from 1853.

Vincent van Gogh’s Still Life With Roses and Anemones.”, 1890 and “Vase with Daisies and Poppies”, 1890 also reflect the influence  of Japonisme.

Meditate, relax and enjoy

There can be no mistakes in making this painting.  Everything ends up as it should be.  Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself, here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark watercolour crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured watercolour crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is okay for the watercolour crayon mark to bleed into the painting
  • everything is easily painted over with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the mixed colour

The Drawing Process

Turn your photo upside down and draw the space around the drawing first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.  It’s your painting after all!

You can also check out how to create a naive landscape after Schiele using watercolours which I posted some time ago.  Related posts after Klimt, cropped versions of “The Kiss” and Mother and Childalso appear in this category.

Image from https://www.wikiart.org/en/egon-schiele/ceramics-1918, accessed 13/11/2016

Drawing – Are You Over It?

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It is only natural to get tired and fatigued when you are drawing, after all, intense observation is hard work!

You could be getting tired of it if you notice:

  • A sudden awareness of time.
  • An awareness of distractions.
  • A tendency to draw from what you know rather than from observation.

If this happens, stop drawing! (at least for the time being anyway.)

The best way to get past this stage is to develop the technique of “focusing”.  This is done by capturing the most interesting part of the subject.  This plan is best selected ahead of time so you can concentrate on those areas before fatigue sets in.

Developing these chosen areas at the expense of others allows you to conserve your energy and time.  Then you can focus on drawing the good stuff that you like.

I focused on the eyes in the drawing above and left the rest a scribble.  Below Egon Schiele takes the topic further by focusing entirely on the hands and face.

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Will you plan your focus before starting your next drawing?  I don’t know what you think, but to me, there is something really appealing about an unfinished drawing.