Drawing – Shape Consciousness

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“There are no lines in nature, only areas of colour, one against another. “ Edouard Manet

This statement is a major key to improving your drawing.  Each “shape” or “area of colour” is in fact a shape.

This leads us to the conclusion that drawing shapes is easier, much easier than drawing things.

Below is a magnificent painting by Paul Gauguin called “The Seaweed Harvesters”.  Can you see the series of shapes the artists has put together to make a picture?

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Photo courtesy Encyclopaedia Britannica International Limited, London.  “Great Artists Collection”, 1971 Phaidon Press Ltd, London

EXERCISE – Allow 35 minutes for this task.

  • Trace the outline of an object in the air as if you were actually drawing it along its outer edge.  Begin anywhere and continue all around the object until you meet your starting point.   Did you notice that your eye and hand do all the work; there is virtually nothing to think about.  This exercise is just a slight step away from actually drawing the shape.
  • Now choose an item to draw from around your house.  It is a good idea to check out the helpful hints below before commencing.  Keep your eye on the object and do a real drawing only briefly glancing at the paper as you work.  You are now working in the “language of shapes”.  The great thing about this language is that it bypasses conscious thinking and critical dialogue and allows you to record only what you see.

The more we stay in the language of shapes, shutting down the language of things temporarily, the more our drawings look like the reality of the things we have observed.

To break away from the language of “things”, these helpful hints can become your pocket guide to learning this new vocabulary:

  • Draw larger shapes first, then smaller ones.
  • Join shapes together.
  • Draw the shapes of highlights, shadows, reflections patterns and textures.
  • Recognize “trapped” shapes and draw them. (Trapped shapes could be the area between your arms and body when you have your hands on your hips.  Trapped shapes are usually the areas where there is space between parts of the object.)

Understanding these hints will make drawing easier and help you see things in a fresh new way.

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Would you like to know how to do this?  Check out my next post for all the info.

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2 thoughts on “Drawing – Shape Consciousness

  1. Pingback: From the General to the Specific | Zen School for Creative People

  2. Pingback: Drawing – Still Life, Puzzle Pieces and Giving Up Control | Zen School for Creative People

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